Monday, December 11, 2023

MANDALAS: COLLECTED WORKS

 

Here are 39 mandalas compiled in two volumes, representing works from 2003 to 2023.  Volume One has been amended since its first debut in 2011. 

All mandalas represent the artist’s inner process in minute stitching, meditation stitch by stitch of her intent to what C.G. Jung expressed:  the creative movement to the center of being. Many of the mandalas correspond with books ideated, written and produced at the time of embroidering.

See mariannepress@blogspot.com and mythicthreads@blogspot.com








Tuesday, April 4, 2023

THE GOSPEL OF THE DESERT MOTHERS

Marianne Press

Presents 

Hand Made Hardcover Edition

The Gospel of the Desert Mothers

160 pages








INTRODUCTION

Gospel of the Desert Mothers is the thirteenth book in an ongoing mythological autobiography that has taken many forms over a span of 30 years.  It began when I left America for France in 1992 to forge the destiny of consciousness as it awakened in me. 

      Gospel of the Desert Mothers chronicles a 21 month journey—sometimes reckless, sometimes shattering, yet always meaningful.  Characters of the previous books are now rediscovered as alive and well-embodied in the emergence of the Feminine principle via the desert mothers as I heard them.  

     Others will hear them in their own way—from the deserts, the tropics, the cities, the mountains, the plains, the oceans, the shores.  The Feminine voices inform us that no matter where we live, no matter what we do or who we are, we are living on a planet in transition, the great enantiodromia, the important shift from one age to another. 

     It is my hope, as merely one listener in this spectrum of possibilities, that The Gospel of the Desert Mothers may provide one aspect of heralding a new age to our world as I foresaw it in the epic poem La Chanson de Pamé La Calmette, 1992:

 

And as I waited, I sensed the presence

Of my ancestors,

A host of women from the caves and goddesslands,

And they were crying,

And their tears were bitter.

 

They came into form naked and branded,

And their flesh was sore.

Some of their heads were bare-shaven,

Others had hair singed at the edges;

Some tresses were matted with blood and with sweat;

And their eyes had been weeping

And their tears had been sweetened

By a beauty

Borne from the centuries

Of suffering to wisdom,

Of love unrequited,

The sorrow of Mother unheard.

   

 

     And now the Mother is being heard.  And She is rejoicing. 

     May this little book be a validation that in 2023 we are beginning to hear and intuit—all of us in our individual capacities—to the Mothers as they have just begun teaching us their new gospel, the truth of a newer age that is emerging before our eyes.

 

Pamela Preston

Pelican Cove, 2023 


Tuesday, May 10, 2022

A YEAR OF FIVE MINUTES

 A YEAR OF FIVE MINUTES

Marianne Press

120 pages


Hard Cover


Paperback

Amazon Books






REVIEWS

A year of Five Minutes is a testament of time - the ineluctable flow of time - and the tenderness of consciousness. This is a demanding and commanding work of concept art. I'm impressed by how dramatically the author fuses the prosaic (dealing with Lowe's, for example, a truly poignant example) and the efficacy of the sublime (alchemical cleansing). The concept artistically developed in these pages is consciousness, specifically the quality of consciousness mindful of our collective suffering. It's difficult to read without being subducted into the planetary transformation underway, which roils on every page, in most of the five minute intervals, as intimate experiences of the Self refracted in spacetime - the morphing earthscape of our afflicted time. In these entries, we experience a kaleidoscope of spirit and matter twirling through mandala swirls of daily events, moody eruptions, and self-insights. I admire how the author focuses all of this into the final statements about personhood in our pandemic season after the encounter with the Rude Dude: "Was he a messenger whose tsk-tsk-ing was really saying stop this fear of your own death?" Oh yes. The beauty the author captures with her lyrical observations of this dire time through which we are passing indeed reminds us, "The stars know the soul will never die." — A.A. Attanasio, author of The Radix Tetrad 

5.0 out of 5 stars,  Soul and brain food!

Reviewed in the United States on March 31, 2021

An astonishing mix of prose and poetry, I find myself stopping to savor sentences and imagery every single page... dollying between the banality and beauty of the here and now and the inward journey to the crucible of thought, value, being and consciousness. A sincere, humble and genuine work laced with humor and grace. A must read for anyone interested in climbing out of the box, if only for a moment!


Friday, December 22, 2017

A LIFE IN VERSE, Poems 1993-2017

Marianne Press introduces new title:
POEMS 1993-2017



Hand-sewn edition of 10
Japanese silk cover
Linen paper
306 pages










C O N T E N T S


FROM
The Goddesslands Trilogy
1993-2000
Page 1
———
La Chanson de Pamé La Calmette
2002
Page 29
———
FROM
The Gospels of the Cells
2001-2007
Page 87
———
Poems of Days
2007-2012
Page 153
———
The Sound of Loneliness
2012
Page 185
———
FROM
Desert Confessions
2014-2015
Page 213


The New Chanson
2014-2015
Page 229
———
Tropical Interlude
2015
Page 243
———
Oasis Poems
A Desert Finale
2015-2017
Page 249
———
The Other Shore
Summer, 2017
Page 271
———
———
Extant Poetry
(Hymns, Prayers, Sonnets)
1966-1992
Page 277


EXCERPTS

The Sound of Loneliness
2012

You may forget but

Let me tell you
this: someone in
some future time
will think of us

Sappho
Fragment #60

—————————

9/27/2012

Aye, Sappho

Your verse could be
a holy twitter:
Where are you
in our century?

9/28/12  Agèd Mother (1)

Your skin

like rice paper
falls in fragile folds
from your arm

I watch your bones
carry your skin
as you walk
carefully on dead feet
numbed by age

You live

In a place
of old ones
With them you hold
your memories at bay:
wild silent screams
forced down
Collective wisdom unheard

————————

I ask

Where are you
but lost
in the dream of death

————————

I stare forever

into tidal pools
finding temporary mirrors
and a sand crab
that died
a natural death

————————

Sky over sea

Holds winds behind
clouds
sailing through
blue yellow light

———————



FROM
The Gospels of the Cells
2001-2007 

France

   Summer, 2000 


All that has been prophesized
All that has been dreamed
Is falling back into itSelf—
The cowbells and the She-bells
The whistle of your valley’s wind
The tastes of love and touches here
The goddessforms within the stones
An ancient fortress is your home.

When summer fades to autumn’s chill
Your hearth will call you in—
 Enfolding warmth where silent notes
Will rise to song from caves
Echoing from years long past—
Receive these words!
For justice has been served.

I have known the abyss of suffering
When the gate slammed behind me.
I have known the gate to open again and again—
I have planted a seed.
I am the seed.

My name is Pamé la Calmette
And I was born in the valley of my ancestors.
I have known the language of the gentle beasts.
I have heard the worlds of silence.
I have felt the lashings of injustice
And I have bled freely the blood of loss,
The blood of sacrifice.
I have tasted milk from the white cow on my lips
And honey from the bees has dropped on my tongue;
I have followed the directions on my path
And I have seen the shadows fall at every turn—
I have seen the risings of the sun
On this earth and in this earth.

I have known the earth
As my flesh, my blood, my bones.
I have known my soul
As memories
Of all that has been since the beginning of Time.

I have been shipwrecked.
I have been salvaged.
I have seen the treasure at the bottom of the sea.
I have seen the OneEye of Grandfather—
I have flown with him here-from-there
To here—this valley of my birth.
He told me:
Since the first poem I have been.

I have played the one note in the universe that is mine,
I am singing.
I have wept the one tear in the ocean that is mine,
I am weeping.
I have loved and died with my people,
I am living.

I have known the fears who all were born with
And most will die with.
I have known the release
I can never claim as my own.
I was lost from home.

They said I was floating
Out to sea from a ravaged coast
And my heart had broken from thirst
And my blood and bones had dried.
They said I was adrift in a boat of clay
                          And it was sinking.                     
They said some moment had arrived—
A moment that was mine in all time,
A moment when I knew they were real
And no longer would I doubt them,
No longer would I flee,
I was free.

And so that night I leapt
Into the boat of clay
And drifted toward an old chateau
That bore my name: Pamé.
I landed in the donjon while a bat swooshed about,
It swept across my forehead and flew out of that house.
Justice?  I wonder, as to Themis I kneel
As her secrets are reveal:

Fairness
Integrity
Evenhandedness—
All served.

QUEEN I

You opened me, you deepened me
Your cool mists seeped into my pores
You silenced me, you sat me down
And all I was, was yours.

Our eyes together saw our hills
Their walls of white gray stone recalled
The mantle of that cave we knew
When all was one and one was all.

And green was more than green, our slopes—
Glistening under drizzling rain
Shining one vast color, ours
Expanding toward the river's vein.

Your body/mine, the silence rang
Bringing song to pulsing flesh
And blood and water met the earth
And tendons, marrow, bones refreshed—
Into the stones, then out again,
You carved another tier in me
Excavation to the light—
This rolling earth, this ecstasy.


QUEEN II

You tugged my breast, your pricked my womb
Your warm breath nudged me home
You sat me down before the hearth
As burning branches groaned.

Into the blazing coals I gazed
When suddenly your face appeared
Your eyes were flashing in the flames—
Beauty's madness seared.

Your mouth moved constantly while crazed
No words, save sizzling pantomime
From your crown of white-hot jewels
Dancing from your soul to mine.


QUEEN III

Watch the burning, burning down
The stakes of Montsègur—
Speak, flames!
From you core.

I, the Queen of the Coals say:  Nevermore.

Nevermore to flee through mountains
Nevermore to hide in caves
Nevermore the flagellations
Never more the conflagrations,
 O death Untrue!
We flew released to astral seas
Then gathered
 In our temple in the stars
Torn, raked, bruised, scarred,
We stayed there seven centuries
Then returned
To the cradle of our ancestors
Our valley in the Pyrenees
Extending to your soul our hands
To ease your birthing agonies.
Arise, Soul!
Awaken in the goddesslands.

Yea, we emerged from tunnels
From all fires and all wars—
From Montsègur
And before
From Troy
And before
From Before
And before
And now—
Nevermore.

Nevermore shall beauty burn
Never more shall beauty bleed
Never more shall beauty weep the tears
Of Queen unheard.


QUEEN IV

She has survived the white hot coals.
Scalding sacrifices brought her home—
Home to herBody, home to ourEarth
Home to her rightful throne.

Voice!  Who are you?
Are you We? Are you All and I?
The mists have turned to smoke—
Warnings through the goddesslands
Missiles striking o'er our earth
(The massacre of innocents)—
What voice are you
Speaking in us true?

I AM all that I am, I am more than I seem
I am Queen of the Coals burned clean.
I am white goddess
I am muse
I am the oracle in the stones
I am grail
I am love effused
I am everlasting home.
I am the treasure buried
Now opening to light
I am your inner sight.

You have planted the seed,
The fortress is restored.
You travel now within yourself,
A spiral to the core.

Ear to the stone, beloved one,
And listen to us well:
Darkness is not the enemy,
But an ally in the plan—
Remember to be voices heard!
Forever lives the goddesslands.
Ear to the stone beloved ones
And listen to us well:
Light will penetrate soft flesh,
This is the gods’ command—
Remember to be voices heard,
Forevermore the goddesslands.
For we have come
In two-thousand--one
With heaven's sun.

Oh Queen of Coals
How glistening in the black you are
Your sparkling eyes, like diamond stars—
I am charred but shining too
And I am listening to you.

Shine through the soot and listen well.
Then sing, Pamé, Our Gospel of the Cells.


Spring, 2002  Ireland

MARINER FROM AWAY

I live on the Isle of Elsewhere.
You can find me only by sea.
Sail in by the stars, climb the hills by moonlight
I wait in my hut near the arbutus trees.

It is for you, whom I wait
Mariner from Away—
Envoy of the Poem, bard of the Stones—
I live only to hear what you’ll play.

So strum your fair harp and sing me your song
On a mat of sweet grass we shall rest
Sing to me of Croomholla, Kilmannah, and Dorsey,
Your words I receive—each one a caress.

“Aye, the Hag carried me deep in her womb
We traveled the seas from Spain
She rested her sacrum near the rock of the calf
Tilickafinna became her domain.
To the cradle of Dorsey Island
In spasms of pain and groans of joy
Came I strumming chords upon clouds—
The first bard—in the form of her boy.

Held to her cragging breasts
Her milk seasoned salty with brine,
She sang her lament—it became my own
To sing through the ages—O love of mine!

And now here we are beneath arbutus trees
You ask to receive my words?
Remember our voyage through the darkest of seas
Remember and sing and be heard.

Do not let the myth be forgotten.
Do not sleep in the mists of the life
Do not forget the lament
Of my mother come true

I have just begun singing to you.


Extant Poetry
(Hymns, Prayers, Sonnets)
1966-1992

THE SONNETS (1982)

Sonnet One

I pine again while wandering the lofty trail
Over the tree tops of my bewilderment;
At stars and suns so far from my travail
(This tight clamping, then bright unfoldment)
Through the scenic shivering from head to toe,
Such wilderness I trample on the earth:
Knowing nothing and struggling to foreclose
The deeds of ownership to my joy and worth.
And when life gives me pause in her wood’s clearing
I find new breath beneath her clearest skies
As unraveling the web of doubt and fearing
I watch the bees with pollen and the birds quick-fly
  And touch the fallen stars, the finale to resistance
  Giving way to rest upon the bed of my existence.
                            

Sonnet Two

This love of mine is not to fall into your arms
Though tempting is the warmth your heart bestows;
My love, it rises to the world in which no harm
Can touch its hem, and where no pleasures flow.
Not hard nor dry, this place where light is stirred
Though solo do I ride and lonely is this land
Where many touches and affections are deterred
As for a greater love does reach my hand.
And how, to your strong silence can I speak
Of this wide talent from the universe of prayer
When never will my eyes with your eyes meet
And never our poor hearts together share,
  Save for when we touch love’s axis and together tip
  With mutual fascination of Beauty’s beauteous lips.


Sonnet Three

If I did step into that world so bleak and cold
Upon the drizzly snow and icy streets
And cast my eyes, my face, my cheeks of rose
Toward gray skies with clouds a-fleet;
Crossing the sun and dropping rawness down
On every corner of this January blight
I think I’d walk low-cast around my town
With happier dreams of summer’s fragrant nights.
No, I choose to stay inside my cozy room
By winter’s hearth blazing fiery red
And scrawl with pen my arctic gloom
And write of ripening fruits instead.
  Never have I welcomed these winter months of chill
  Save with verse, when my heart with summer fills.


Sonnet Four

As love’s flickers gaily spot the evening, blackened
So flames in your dark countenance bespeak the sun;
As often, when I feel my spirit slacken
I am instantly reminded that dull and bright are one.
To me, you are a halo circling this warring world,
A recalling of the mystery of muted, pre-born sounds;
Your warmth is like a kitten into itself close curled,
The dizzy deepening of night where stars spin round.
Symbol of all earthly cries and the universe’s tolling,
Man, you are the flashing light of my most tearful hour;
You are the waves of change upon the shoreline rolling
And symbol of the coolness in hushed, secluded bowers.
  Glimpsing you when passing a shaded park in May:
  A reminiscence of love’s touch merged in night and day.